The first thing you notice is that voice: gorgeous, graceful, and somehow earthy and ethereal at once. It is an instrument perfectly matched to the songwriting talents of the artist who channels it — Halie Loren. Her music conveys the wonders of the invisible world: wounded defiance, stubborn love, hard-earned hopefulness.
Fed by the hyperborean beauty of her childhood Alaska home, Loren's gift for discovering the playfulness, pizazz, and sensuality inherent in a lyric appeared early on. But it was her talent for turning those feelings into genre-defying original compositions — songs at once universal and deeply personal — that captured wider attention.
With purity of tone and rare interpretive prowess, she brings a fresh and original perspective to time-honored musical paths, channeling her innate understanding of connectedness across musical boundaries to forge bonds with diverse audiences in North America, Asia, and Europe.
After her debut jazz CD, 2008's They Oughta Write a Song, won a national independent music award for best vocal jazz album, it received distribution in Asia by JVC/Victor Entertainment and in North America by Justin Time Records. She followed with the live album Stages, an Editor’s Pick at CD Baby and “best live album of the year” at Wildy’s World. After Dark followed in 2010, with the Loren original Thirsty winning the Independent Music Awards’ Vox Pop poll for best jazz song of the year.
In its savvy concoction of jazz standards, re-imagined pop classics, and shimmering new originals, 2012’s Heart First revealed a confidently maturing artist on her own heartfelt journey. Japan’s Jazz Critique magazine honored it as the best vocal jazz album of 2011.
Fly Me to the Moon, a bonus track, spent three weeks at No. 1 on the iTunes Japan jazz chart. It was among the top 10 jazz CDs in Hot New Releases at Amazon in the U.S. and Canada, and reached No. 1 on the iTunes Canada jazz albums chart.